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As the very first piece he ever wrote, "Evening Song" is compelling with its Latin beat and modal montuno piano where Sullivan takes an extended solo, with Cowell also featured before the trumpeter returns for more.
A solemn duet with Gumbs for the late Assaf Feat. Moscow Noir - Faded John Foster on "Goodbye Sweet John" contrasts with the funky fusion tune "Field Holler," with Freeman's stabbing electric Fender Rhodes chord-driven lines, featuring Alphonse Mouzon's powerhouse drumming and the electric bass of Anthony Jackson, with a lyrical and basic Sullivan sounding influenced by James Brown.
The remainder of the recording is a Evening Song - Charles Sullivan - Genesis message of despair and renewal, as Dee Dee Bridgewater sings beautifully in the paradox song "Now I'll Sleep," about suicide, with the lyric that one might "choose to lose, afraid to love" with Sullivan's horn in way late. Cowell's piano and the impressive tandem of Sullivan Evening Song - Charles Sullivan - Genesis Fortune's fiery alto sax push the ensemble to the limits of African-American progressive jazz expressionism.
This recording received a five-star rating in Down Beat magazine, and while there are too few Charles Sullivan recordings in the marketplace, it's well Evening Song - Charles Sullivan - Genesis of this accolade as one of the very best post-bop efforts of its decade, and now available on CD. Zen Archer May 25, at PM. Anonymous May 25, at PM. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental.
Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.
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