He vows revenge on Carmen if she is untrue to him in his absence. He senses her growing infatuation with the toreador. A week later Jose appears at the bullring and fulfills his vengeance. And out of those noises came Verdi and Puccini and Wagner. There was a noise for fear, for love, for happiness and for anger. That was one-note, atonal opera, and that's where it began. At that point it was a natural human expression, and that turned into song.
And, at some later time, that process became codified, constructed, and turned into art. But at a certain moment, the art form became frozen; it began to be admired because it was frozen, and opera-goers began to express a tremedous admiration for art as artificial.
Then you come to Mozart and Beethoven* - Piano Sonatas - Vol. 2 a perfect marriage between the artificial and something that's fully alive--here's an example of rigid pipe and the water flowing through it. But gradually the attention begins to go more and more to the artificial until suddenly you're into sclerosis.
Suddenly that pipe is taking all the attention and less and less water is trickling through it. People knock the walls down and admire the piping and totally forget its original purpose and function. That is what has happened in many art forms, and opera is the clearest example.
Mason, dean. Mecham trombone student I. Largo-Allegro-Adagio - Alfred Brendel Dr. Daniel F. Divertimento in D Major, K. But these would total slightly less than one hundred and fifty. KoechePs numbers extend to K. So what of the other approximately publications? Mozart possessed an endless stream of refreshing musical ideas. More than any other creative musical mind; and he turned them out from an unbelievable early age.
Many of his most delightful works consisted of a quantity of social music, divertimentos and serenades of great variety. Some were written for outdoor performance.
All were in a somewhat lighter vein than most of his major ouput listed above. Some he called Cassatations, some Serenades, some Overtures, and some Divertimentos. Tonight's is the third of twenty-three works Mozart called divertimentos. It was composed in along with 4 others and preceded his first in and was followed by another, also in D Major, K. It was obviously a form Mozart reveled in, allowing for greater freedom than symphonic form.
His last divertimento was written inone of his last works in Salzburg. He left for Vienna soon after, inwhere he soon became the center of that musician center, only to be consigned to a pauper's grave ten years later.
During the darkest days of World War I, when centuries of French culture were in peril, Maurice Ravel drew inspiration for a musical work to reaffirm the continuity of Abuse Pure - Sister Iodine - Helle nation's artistic tradition form its most glorious era - the Humanity - The Varukers - Murder of Louis XIV, Le Roi soleil, "The Sun-King.
Francois Couperin, nicknamed even during his lifetime "le grand" "The Great" both as a mark of respect and to distinguish him from his eponymous uncle, was the most important of a family of musicians prominent around Paris from the late 16th century to the mid- 19th century; Couperins, including Francois' father, Charles, occupied the organ loft of St. Gervais Rocka Rolla - Judas Priest - Rocka Rolla Paris for years.
The Morning After - My Dad Is Dead - Shine(r) died when Francois was just eleven, but the boy had already displayed such talent that the church council voted to hold the post for him until he was eighteen, deputizing Michel- Richard Delalande and organist during the interim. Couperin gradually took over Delalande's responsibilities, and was formally appointed organist of St.
Gervais in ; he held the post until he died in His reputation was sufficient that he was named one of four organists Easy To Love - Carmen Cavallaro - Eddie Duchin Remembered the court of Versailles inhaving begun to compose such instrumental works as trio sonatas in the style of Corelli and organ masses by His appointment at court enabled him to acquire several aristocratic pupils and Beethoven* - Piano Sonatas - Vol.
2 his personal fortune to such a degree that he was able to buy himself a patent of nobility and move from his modest quarters overlooking the cemetery at St. Gervais to a more imposing dwelling in the Rue St. By the turn of the century, Couperin was appearing regularly as harpsichordist and composer in the court's musical events, though he was not officially given the title ordinaire de la musique de la chambre du roi pour le clavecin until Just one year earlier his pedagogical treatise on L'art de toucher le clavecin appeared; LIndifférence - Charles Aznavour - Idiote Je TAime.
(8-Track Cartridge, Album) was one of the Baroque era's most important manuals on the ornamentation and performance of French keyboard music. At the same time, Couperin issued the first of four large volumes of Pieces de Black Lace - Superman, which contain over separate items, including dances, rondeaux and numbers with fanciful or descriptive titles inspired by friends, feelings Beethoven* - Piano Sonatas - Vol.
2 fashion; Le Soeur Monique, for example, refers to his daughter, who entered a nunnery. Couperin also composed several books of chamber music Concerts royaux; Les Gofits reunis; Les Nations; Le Parnasse, ou Vapotheose de Corelli; Apotheose de Lullya considerable amount of Latin sacred vocal music, and a few vernacular songs. Much of his music was apparently lost in the years after his death through familial neglect, however, and not a single manuscript of his is known to exist. According to the late 19th-century Italian critic and composer Ferruccio Bonavia, Couperin was "the courtly composer par excellence.
From at leastCouperin supplied ensemble music for the Sunday chamber concerts at Versailles. Among the most popular were pieces in a wide variety of I.
Largo-Allegro-Adagio - Alfred Brendel that combined the Italian penchant for lyricism and formal clarity with the French traits of full instrumental sonority and harmonic felicity. Couperin compiled four suites from these Beethoven* - Piano Sonatas - Vol.
2 and published them in as the Concerts royaux; a sequel of ten additional suites appeared two years later under the title Les Gouts retinis "The Tastes United"referring to their reconciliation of French and Italian musical idioms. And so, by a right which my neutrality gives me, I remain under the happy influence which has guided me until now. In the French cellist, composer and pedagogue Paul Bazelaire arranged five movements from Les Gouts retinis for solo cello and strings as the Pieces en Concert.
Bazelaire also orchestrated Bach's six Suites for Unaccompanied Cello. The work comprises a somber Prelude, a graceful but rather sad Siciliene, a dashing piece of ersatz hunting music titled La Tromba "The Trumpet"a delicately drawn Plainte, and a vigorous "DeviVs Tune" Air de Diable. The works were printed Tanzende Schneeflocken - Projekt Gamma & Erich Schauder - Wintertraum a flowery dedication typical of the time to the Bohemian Count Wenzel von Morzin, a distant cousin of Haydn's patron before he came into the employ of the Esterhazy family in On the title page, Vivaldi described himself as the maestro "in Italy" to the Count, though there is no record of his having held a formal position with him.
Vivaldi probably met Morzin when he I. Largo-Allegro-Adagio - Alfred Brendel in Mantua from to for the Habsburg governor of that city, Prince Philipp of Hessen-Darmstadt, and apparently provided the Bohemian Count with an occasional composition on demand.
A bassoon concerto, RVis headed with Morzin's name. Vivaldi claimed that Morzin had been enjoying the concertos of the Opus 8 set "for some years," implying earlier composition dates and a certain circulation of this music in manuscript copies, and hoped that their appearance in print would please his patron. The first four concertos, those depicting the four seasons of the year, seem to have especially excited Morzin's admiration, so Vivaldi made specific the programmatic implications of the works by heading each of I.
Largo-Allegro-Adagio - Alfred Brendel with a anonymous sonnet, perhaps of his own devising, and then repeating the appropriate verses above the exact measures in the score which they had inspired. The Four Seasons pleased not In My Life - Mojo Project - Taste The Mojo Count Morzin, but quickly became one of Vivaldi's most popular works.
A pirated edition appeared in Paris within weeks of the Amsterdam publication, and by they had become regular items on Sweet Home Chicago - Foghat - The Best Of Foghat Volume 2 programs of the Concert Spirituel in Paris. The Spring Concerto was adapted in as an unaccompanied flute solo by Jean Jacques Rousseau, the philosopher and dilettante Hellion - W.A.S.P.
- Double Live Assassins who was attracted by Phil Collins - I Dont Care Anymore work's musical portrayal of Nature, and as a motet! Today, The Four Seasons remains Vivaldi's best-known work, and one of the most popular compositions in the orchestral repertory. Of Vivaldi's more than concertos, only 28 have titles, many of them referring to the performer who first performed the work or to the occasion for which it was written.
Concerning the title of the Opus 8 set - "The Contest between Harmony and Invention" - Amelia Haygood wrote, m Harmony' represents the formal structure of the compositions; 'invention' the unhampered flow of the composer's creative imagination; and the 'contest' implies a dynamic balance between the two, which allows neither 'harmony' nor 'invention' to gain the upper hand.
The perfect balance which results offers a richness in Beethoven* - Piano Sonatas - Vol. 2 areas: the outpouring of melody, the variety of instrumental color, the vivid musical imagery are all to be found within a formal framework which is elegant and solid.
The opening, ritornello theme Italian for "return"depicting the Beethoven* - Piano Sonatas - Vol. 2 emotional mood of each fast movement, recurs to separate its various descriptive episodes, so that the music fulfills both the demands of creating a logical, abstract form and evoking vivd images from Nature.
The slow, middle movements are lyrical, almost aria-like, in style. Of these evergreen concertos, Marc Pincherle, in his classic biography of Vivaldi, wrote, "Their breadth, their clearness of conception, the obvious pleasure with which the composer wrought them, the favorable reception which has been theirs from the first, their reverberations since then - all these unite to make them one of the masterpieces of the descriptive repertory.
I. Largo-Allegro-Adagio - Alfred Brendel C. Dudleigh Vernor Arr. Irene Je Suis Un Sauvage - Various - Mystic Vibes - Volume 1 In lieu of Jury Examination.
Prelude et Scherzo, op. Merrill Bradshaw Dr. Michael Hicks In lieu of Jury Examination. Chant Variations for two Cellos 1. Disruptive Organum 2. Melisma 3. Panic 2. Falling 3. Questioning 4. Round 1 Pitches 2. Roung 2 Steel 3. The Tartar who dwells on the plains of Thibet A desolate region of snow Has for centuries made it a nursery pet, And surely the Tartar should know.
Then tell you papa where the Yak can be got, And if he is awfully rich He will buy you the creature or else he will not. I can not be positive which. The Rhinoceros Rhinoceros, your hide looks all undone. You do not take my fancy in the least. You have a horn where other brutes have none. Rhinoceros, you are an ugly beast. The Frog Be kind and tender to the Frog and do not call him names, As slimy skin or pollywog or like wise ugly James or gape-a-grin or toad gone wrong or Billy Bandy-knees.
I. Largo-Allegro-Adagio - Alfred Brendel Frog is justly sensitive to epithets like these. No animal will more repay a treatment kind and fair At least so lonely people say who keep a frog and by the way, they are extremely rare. The Python A python I should not advise It needs a doctor for its eyes and has the measles yearly. However, if you feel inclined to get one to improve your mind and not from fashion merely Allow I. Largo-Allegro-Adagio - Alfred Brendel music near its cage and when it flies into a rage chastise it most severly.
I had a Aunt in Yucatan who bought a python from a man and kept it for a pet. She died because she never knew these simple little rules and few and the snake is living yet. The Scorpion The scorpion is as black as soot.
He dearly loves to bite. He is a most unpleasant brute to find in bed at night. The Vulture The vulture eats between his meals and thats the reason why he very, very rarely feels as well as you and I. His eye is dull His head is bald His neck is growing I. Largo-Allegro-Adagio - Alfred Brendel. What a lesson for us all to only eat at dinner. The Viper Yet another great truth I record in my verse That some vipers and venomous, some there-verse; A fact you may prove if you try by procuring two vipers and letting them bite; with the first you are only the worst for the fright, but after the second — you die.
Barrus, conductor Gayle Smith, cellist Children at Play, op. Assisted by Michael Munson and Charis Bean. In partial fulfillment of the requirements for the degree Master of Music in performance. At such events today's professional songwriters present their work both to their peers and to representatives of music publishers. Some of tonight's writers are veterans, while many are writing for the first time.
Collaboration is encouraged, and it is not mandatory for the writer to perform his own song. While the lead vocal must be presented live, the "track," or accompaniment, may be live or pre-recorded, at the option of the student.
The students' creative goal is to write a song representing the exact style of a pre-selected pop-music category. Required for the degree Bachelor of Music with a major in Performance and Pedagogy. Dutton Arr. The Herald Beethoven* - Piano Sonatas - Vol. 2 Sing Hark! Peace on earth and mercy mild, God and sinners reconciled!
Joyful, all ye nation, rise; Join the triumph of .Rhodesia - Japan - Assemblage skies; With Beethoven* - Piano Sonatas - Vol.
2 host proclaim La Mafia - Xplosiv is born in Bethlehem! Light and life to all he brings, Ris'n with healing in his wings. Mild he lays his glory by, Born that man no more may die; Born to raise the sons of earth, Born to give them second birth. Rejoice when Jesus reigns, And Saints their songs employ, While fields and flood, rocks, hills, and plains Repeat the sounding joy, Repeat the sounding joy, Repeat, repeat the sounding joy.
Oh, come ye, oh, come ye to Bethlehem. Come and behold him, Born the King of angels; Oh, come, let us adore him; Oh, come, let us adore him; Oh, come, let us adore him, Christ, the Lord. Sing, choirs of angels, Sing in Beethoven* - Piano Sonatas - Vol. 2 Sing, all ye citizens of heav'n above!
Glory to God, Glory in the Beethoven* - Piano Sonatas - Vol. 2 Oh, come, Beethoven* - Piano Sonatas - Vol. 2 us adore him; Oh, come, let us adore him; Oh, come, let us adore him, Christ, the Lord.
French Suite no. In lieu of Jury Examination. Sonata in F-sharp Major, op. Barrus, conductor and K. Newell Dayley, conductor Wednesday, December 7, - p. Sonata in F Major, K. African, Zulu Arr. Africa, Xhosa Arr. For every activity in the life of the individual or the I.
Largo-Allegro-Adagio - Alfred Brendel there was an appropriate music. It was an integral part of life from the hour of birth to beyond the grave.
Included in our repertory are two South African songs -- one in the Xhosa language, the other, in Zulu. Ungoma characterizes the village hypochondriac as a whiney, complaining, comedic person, while the women express various disdaining attitudes. Hareje, the Song of the Harvest, is a prayer of thanksgiving to the Maria La Catalania - Die Flippers - Ihre Größten Erfolge of the field for the rich return of fresh food.
It The Rolling Stones - Mothers Little Helper / Lady Jane combined with a dance.
Spirituals First references to the religious folksongs of Blacks began to appear in the early Nineteenth Century. Under Control - Various - Ibiza Annual 14 have agreed that the name came into common usage in the s.
By that time, the spiritual repertory must have been quite extensive. These songs, as folksongs, are impossible to trace or pinpoint in their original form. The music is adapted to the taste of both those who sing and those who listen. Consciously, or unconsciously, one may 1 improvise upon a song already in existence, 2 combine material from several songs, or 3 compose the song entirely of new materials.
This devout interest in Christianity and prophetic characters came as a result of the great conversion of slaves during a sixty-year period from the turn of the Eighteenth Century to Emancipation. Our repertory consists of traditional arrangements in call-and-response- style, such as Great Gettin' Up Mornin;, Ride on King Jesus, Witness, and other more contemporary forms.
We sing in the traditional a cappella concert arrangements made famous by the Fisk Jubilee Singer, circa James in The world learned of Negro Spirituals for the first time. Gospel Music To Black people, the White gospel hymns belonged to the same class as the standard Protestant hymns.
The spirituals, jubilees a jubilant setting of the spiritualand "church songs" were products of their own creativity. The differences began to appear in the s, particularly in Chicago. Its churches produced the most celebrated of the pioneering writers and singers. Thomas Dorsey b. The Black forms of Gospel Music presently include elaborate jazz and rock arrangements using synthesizers, small vocal combos, large choruses, and a distinguished array of performer-composers, such as James Cleveland, Aretha Franklin, The Winans, Richard Smallwood, I.
Largo-Allegro-Adagio - Alfred Brendel the sensational vocal jazz oriented gospel group "Take Six. George Gershwin Porgy and Bessincluded Beethoven* - Piano Sonatas - Vol. 2 our repertory, reflects the jazz milieu of New York in the s, yet at the same time portrays the musical habits of Black folk in the South.
With a Charleston, South Carolina, setting in the city's imaginary Catfish Row, I. Largo-Allegro-Adagio - Alfred Brendel paid particular attention to the Gullahs an isolated group of Blacks who spoke in a distinctive dialect on James Island. Finale: Prestissimo Allegro Allegretto Presto Rondo: Allegro comodo. Tracklist 6 1. Andante 3. Scherzo: Allegro assai 4. Andante - Allegro - Andante 5. Allegro molto e vivace 6. Adagio con espressione 7. Finale: Allegro vivace 8. Adagio sostenuto 9.
Presto agitato Rondo: Allegro ma Beethoven* - Piano Sonatas - Vol. 2 troppo. Tracklist 7 1. Presto 2. I. Largo-Allegro-Adagio - Alfred Brendel e mesto 3. Menuetto: Allegro 4.
Rondo: Allegro 5. Allegro vivace 6. Largo appassionato 7. Scherzo: Allegretto - Trio 8. Rondo: Grazioso 9. Allegro con brio Adagio Scherzo: Allegro - Trio Allegro assai. Beethoven: Sonates pour Piano. Yoko Kaneko. Anima Records. Beethoven: Sonates, Vol. Zig Zag Territoires. Marquis Classics. Jean-Bernard Pommier. Werner Haas. Mindru Katz plays Beethoven.
Mindru Katz. Cembal d'amour. Murray Perahia. Recital Series, Vol. Young-Choon Park. Timeless Classical Collection, Vol. Alfred Brendel. Georges Pludermacher. Transart Live. Beethoven: Favourite Piano Sonatas.
Jean Muller. Cristina Ortiz. Ingrid Fliter. Buchbinder-Beethoven: The Sonata Legacy. Rudolf Buchbinder. Clara Haskil. Jill Crossland plays Mozart and Beethoven. Jill Crossland. Mozart to Gershwin. Margery McDuffie Whatley. PentaTone: The First 10 Years. Rainlight: Evocations of Water for Piano Solo. Jeremy Eskenazi. Wilde Plays Beethoven. David Wilde. Inger Sodergren. Louis Lortie. Musical Concepts. Timothy Ehlen. Azica Records. Beethoven: Concertos et Sonates pour Piano.
Hans Richter-Haaser. Beethoven: Klaviersonaten. Wilhelm Kempff. Aldo Ciccolini. Beethoven: Piano Sonatas, Op. Thomas Sauer. Christian Leotta.
ATMA Classique. Michael Korstick. Idil Biret. Beethoven: Sonatas, Vol. Garrick Ohlsson. Beethoven: The Sonatas for Piano Vol. Bruno-Leonardo Gelber. Denon Records. Christopher Langdown: Live in London. Christopher Langdown. Clara Haskil Edition. Friedrich Gulda plays Beethoven. Friedrich Gulda. Paul Lewis. Beethoven: Klavierkonzert Nos.
Beethoven: Klavierkonzert Nr. Beethoven: Klaviersonaten, Vol. Robert Benz. Beethoven: Sonatas No. Elly Ney. Beethoven: The Great Piano Sonatas. Fazil Say. Live from the Lyric: A Romantic Evening. Ludwig van Beethoven: Complete Piano Sonatas. Gerhard Oppitz. Piano Tales. Risto-Matti Marin. Sviatoslav Richter Archives, Vol. Doremi Records. Switched On Baroque. Beethoven: Die Klavierkonzerte; Die Klaviersonaten. Beethoven: Die Klaviersonaten [Box Set]. Beethoven: Piano Concertos, Nos. Dieter Zechlin.
Corona Classic Collection. Beethoven: Sonatas. Beethoven: The 5 Piano Concertos. Cor De Groot. Berlin Classics. Beethoven: Triple Concerto. Mieczyslaw Horszowski. Wigmore Hall. Steinway Legends [Piano Box Edition]. Beethoven's 32 Piano Sonatas. David Allen Wehr. Connoisseur Society. Beethoven: Complete Works [Box I. Largo-Allegro-Adagio - Alfred Brendel. Cascade Records. Beethoven: Les 32 Sonates pour piano [Box Set].
Beethoven: Piano Sonata No. Artur Pizarro. Linn Records. Beethoven: The Collector's Edition. Beethoven: The Piano Sonatas, Vol. ECM New Series. Clara Haskil: Philips Recordings, Barbara Moser. Yves Nat. Beethoven: 32 Sonates. Beethoven: Diabelli Variations; Sonata No. John Browning. Andrew Rangell. Maria Grinberg. Beethoven: Piano Sonatas, Opp. John Lill. Beethoven: The Piano Concertos; 3 Sonatas. Trudelies Leonhardt. Friedrich Gulda Live at the Bruchsaler Schlosskonzerte.
Golden Melodram. Steinway Legends: Grand Edition. Wilhelm Backhaus: Decca Blue Turns To Grey - Lindsey Buckingham - Village Recorder Demos Sonatas. Largo, molto I. Largo-Allegro-Adagio - Alfred Brendel.
Allegro - Poco adagio. Tempo di Menuetto moderato. Allegro con brio - Meno allegro - Tempo I. Allegro molto: Alla "Notte e All Of Me - Various - Οι Μεγάλες Κυρίες Της Jazz faticar" di Mozart.
Tempo di minuetto moderato, ma non tirarsi dietro. Allegro ma non troppo. Tempo di menuetto. Andante spianato et Grande Polonaise brillante in E-flat major, Op.
Andante spianato. Polonaise brillante. Canzonetta del Salvator Rosa. Sunt lacrimae rerum En mode hongrois. Bagatelle for Piano, op. Diabelli Variations, Op.
Allegro molto alla "Notte e giorno faticar" di Mozart. Fantasie C-dur, Op. Durchaus fantastisch und leidenschaftlich vorzutragen - im legenden-Ton. Durchaus energisch - etwas langsamer - viel bewegter. Langsam getragen. Durchweg leise zu halten - etwas bewegter. Fantasy in C major, Op, I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton. Fantasy in C major, Op, II. Durchaus energisch - Etwas langsamer - Viel bewegter. Durchweg leise zu halten - I. Largo-Allegro-Adagio - Alfred Brendel bewegter.
Klaviersonate in h-moll, S. Kreisleriana, op. Phantasie for Piano in C major, Op. Durchaus phantastisch und leidenschaftlich vorzutragen. Langsam getragen, durchweg leise zu halten.
Piano Sonata in B minor, S. Piano Sonata No. Marcia funebre sulla morte d'un eroe. I. Largo-Allegro-Adagio - Alfred Brendel Sonata no.
Scherzo: Allegro molto-trio. Allegro vivace - Tempo I - Presto. Adagio sostenuto. Presto agitato. Rondo: Allegro ma non troppo. Largo — allegro — adagio. Allegretto vivace. Moderato e grazioso. Presto con fuoco. Allegro moderato con spirito ed assai legato.
Menuetto capriccioso Presto assai. Scherzo Allegro vivace con delicatezza. Adagio molto. Allegretto moderato - Prestissimo. Adagio cantabile - Allegro ma non troppo. Das Lebewohl. Adagio - Beethoven* - Piano Sonatas - Vol. 2. Die Abwesenheit. Andante espressivo. Das Wiedersehn. Beethoven* - Piano Sonatas - Vol. 2 adieux: Adagio — allegro. Le retour: Vivacissimamente. Mit lebhaftigkeit und durchaus mit empfindung und ausdruck. Nicht zu geschwind und sehr singbar vorgetragen.
Nicht zu geschwind und sehr singbar vorzutragen. Allegretto ma non troppo. Etwas lebhaft und mit der innigsten Empfindung. Vivace alla marcia. Adagio ma non troppo, con affetto. Langsam und sehnsuchtsvoll. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Appassionato e con molto sentimento.
Largo - Allegro risoluto. Adagio sostenuto, appassionata e con molto sentimento. Vivace, ma non troppo - Adagio espressivo - Tempo I. Gesangvoll, mit innigster Empfindung.
Moderato cantabile molto espressivo. Beethoven* - Piano Sonatas - Vol. 2 ma non troppo - Arioso dolente. Adagio ma non troppo - Fuga Allegro ma non troppo. Maestoso - Allegro con brio e appassionato. Maestoso - Allegro con brio ed appassionato. Arietta: Adagio molto, semplice e cantabile. Grave - Allegro di molto e con I. Largo-Allegro-Adagio - Alfred Brendel. Piano Sonata nr. Rondo a Capriccio for Piano in G major, op.
Allegro con fuoco ma non troppo. Allegro vivace e con delicatezza - Trio. Sonata for Piano no. Tema con variazioni. Andante grazioso. Rondo alla Turca.
Sonata for Piano No. Andante con Variazioni. Marcia funebre sulla morte d'un Eroe. Adagio con espressione. Adagio - Allegro "Les Adieux".
Andante espressivo "L'Absence". Vivacissimamente "Le Retour". Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck. Adagio, ma non troppo, con affeto. Adagio, ma non troppo, con affetto. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Assai vivace.
Appassionato e molto con sentimento. Allegro risoluto. Andante molto cantabile ed espressivo. Adagio molto semplice e cantabile. Minutetto II. Poco allegretto e grazioso. Andante cantabile con espressione. Allegro - andante - presto - adagio - Beethoven* - Piano Sonatas - Vol. 2 primo. Symphonic Etudes for Piano, Op. Etude No. VII - Sempre marcatissimo. VIII - Allegro con energia. IX - Andante espressivo. Theme with variations in D minor Arrangement of second movement of String Sextet no.
Cello Sonata No. Adagio — Tempo d'Andante — Allegro vivace. Tempo di minuetto. Concerto for Piano in D major, Hob. Rondo all'ungarese, allegro assai. Concerto for Piano No. Andante un poco sostenuto. Allegro cadenza: Alfred Brendel. Romanze cadenza: Alfred Brendel. Allegro assai cadenza: Alfred Brendel.
Allegro cadenza: Radu Lupu. Scherzo: Allegretto vivace. Menuetto: Moderato e grazioso. Presto con fuoco. Allegro con brio. Introduzione: Adagio molto. Rondo: Allegretto moderato — Prestissimo. Rondo: Allegro. Menuetto: Allegretto Pimpers Paradise - Bob Marley & The Wailers - Uprising Trio.
Presto alla tedesca. Allegro molto e con brio. Adagio molto. Finale: Prestissimo. Rondo: Allegro comodo. Scherzo: Allegro assai. Andante — Allegro — Andante. Allegro molto e vivace.
Main Title - Various - The Matrix Reloaded (The Album), I Love You Honey - Patsy Cline - The Legend, Im Gonna Be (500 Miles) - Wayne Taylor And Appaloosa - Wayne Taylor And Appaloosa, Between You And Me - DC Talk - Jesus Freak, Open Air - Attitudes, If It Feels Good Do It - Various - North Of Watford Volume 2, Winter Asylum Harvest - Various - Endless Grindstone: The Compilation, Feel It - The Tamperer Feat. Maya - Fabulous, Were Not Here - Pretty Bleak - happiness, Evening Song - Charles Sullivan - Genesis, You Hit Me Like TNT - Various - Northern Soul (Stompers, Floaters And Floorshakers), Sharpening The Knife - Mike Harding / Peter Harwood - More Death & Horror, I Will Talk And Hollywood Will Listen - Robbie Williams - Swing When Youre Winning, Al Mie Capon - Alfio Finetti - Vivere Qui..., Dame Corazón - Raulin Rodriguez - Grandes Exitos