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The important thing is, the group swung in its own original way without a bass and is almost impossible not to enjoy. Krupa spent much of the early and mid-fifties with JATP, leading a trio with a resident saxophonist and pianist most sympathetic with his style, usually Willie Smith or Benny Carter on sax and Hank Jones or Oscar Peterson on piano. In the off-season, through abouthe continued with a regrouping of the original trio, with Ventura and Napoleon. The year is especially notable for Krupa as outside of JATP duties, the trio recorded its first album, and later traveled to Japan, where they were welcomed in a manner more befitting international heros.
According to Ventura, they were greeted with Eightsome Reel - Jim Cameron And His Band* - Jim Cameron Dance Date, Vol.
3, gifts and celebrations. Their music was enthusiastically received. The recording with Ventura and Napoleon, a ten-inch LP entitled, The Gene Krupa Trio Collates was the first issued under the Krupa name for the Granz stable, where the drummer remained until It was also the last time the three would record together as a trio.
The band suffered slightly for it, but the recording still provides a wealth of swing and entertainment. According to writer Leonard Feather and other observers, Shu led a weird career, from harmonica player-ventriloquist in Catskill resorts to jazz reedman, trumpeter and arranger. The self-taught Shu recorded with Krupa quite a bit. The arrangements tended to be less restrictive, giving all more of a chance to improvise. Shu recorded prolifically with Krupa on the following albums: Sing, Sing.
InVentura rejoined, and Krupa put together one of his best sounding groups, with John Bunch on piano and Knobby Stardust - The Gene Krupa Trio* - The Gene Krupa Trio Collates on bass. The quartet achieved. One must realize, of course, that John Coltrane enjoyed his highest degree of prominence at this time.
However, Bunch had nothing but the highest accolades for Krupa the man and Krupa the player. Krupa occasionally played in public in the early s until shortly before his death.
One such appearance occurred in at a jazz concert series sponsored by the New School in New York. Krupa appeared onstage with trumpeter Harry James and the saxophonist Gerry Mulligan. The presumption was that the or so audience members were drawn by Mulligan's contemporary appeal, but when Krupa took a bar break during the second song, audience members leapt to their feet in appreciation.
The two drummers faced off in a number of television broadcasts and other venues and often played similar duets with drummer Cozy Cole. Krupa married Ethel Maguire twice: the first marriage lasted from tothe second from to her death in Stardust - The Gene Krupa Trio* - The Gene Krupa Trio Collates remarried in to Patty Bowler and they were divorced within ten years.
InKrupa was arrested for possession of two marijuana cigarettes. He was charged with local and federal charges contributing to delinquency of a minor and was given a day jail sentence for the first and convicted of the second. He served 84 days of the local sentence time served for a crime for which he was not guilty. Pateakos returned to prove that he wasn't a minor, that he had dodged the draft, and that he had been instructed by federal agents to leave after the first conviction.
He recanted his earlier testimony. In the early s Krupa's house in Yonkers, New Yorkwas damaged by fire. InKrupa died in Yonkers at the age 64 from heart failure, though he also had leukemia and emphysema. In the s, Krupa became the first endorser of Slingerland drums. At Krupa's urging, Slingerland developed tom-toms with tuneable top and bottom headswhich immediately became important elements of virtually every drummer's setup.
Krupa developed and popularized many of the Stardust - The Gene Krupa Trio* - The Gene Krupa Trio Collates techniques that became standard. His collaboration with Avedis Zildjian developed the modern hi-hat cymbals and standardized the names and uses of the ride cymbalcrash cymbal and splash cymbal. He is also credited with helping to formulate the modern drum setbeing one of the first jazz drummers to use a bass drum in a recording session December From Wikipedia, the free encyclopedia.
Gene Krupa. Retrieved September 25, The Great Jazz Drummers. Hal Leonard Corporation.
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